Sometimes I dream bigger than my budget allows. Wouldn't it be cool to have a lot of really powerful lights and big silks and softboxes to be able to do anything? Yeah,
it would be cool but I really don't need something else to carry around at a wedding. So until that day when I have a crew to carry all of my gear and set it up for me when I want, I'm going to keep on getting the job done with the gear I have. Here's how I shot Sarah and Chase in a '65 Cadillac at their wedding with one light.
I started by selecting a location that had enough elements to build the photo. Because I am working with so much light, I can selectively bring out elements of the frame I want and drop others that I don't need. I liked the trees above with the car below. I went with a long lens to compress everything and not let in too many distracting elements. Double check your frame and make sure it's what you want, once you start this it takes a while. Then it's time to lock the camera down on a tripod and get to work. The idea now is to take many photos, each frame using the flash to light up just part of the scene. Later we will combine the various parts to create the whole.
I decided to shoot this at iso 200 f4 1/200th. This killed the ambient but also gave me some room to work with since I was using just one speedlight. For ease of post production, it's best to have a solid black background, so it is important not to have too much ambient. If you want to include a background, just take a separate frame with a long exposure. You've gotta use manual power on the speedlight here, ETTL just won't work with the light being in the frame (plus the car is too reflective for consistency).
Starting with the car, I put a shoot through umbrella in front of my light and walked around the car lighting up the car. Don't worry too much about getting yourself in the frame, just worry about lighting up the car properly. I worked around the car, lighting up one side or part at a time until I knew I had lit the whole car in pieces. Next, I repeated the process with the trees, but this time with a bare flash. I shot the trees being lit up from different angles making sure to give myself options later.
Finally, I went and got the bride and groom from the dance floor for a few minutes. I posed them in the car, put a tight grid on the flash so as to not re-light the car, and walked around them lighting them up. At the end, I had about twenty or so photos of the car, ten of the trees, and maybe fifteen of the couple. Now it's time for that dreaded thing called Photoshop.
I sorted through the photos and grouped them according to the area, car, couple or trees. Then place each photo on its own layer in photoshop and set the blending mode to "Lighten". Now with each individual layer in Photoshop, you can turn a layer on or off to turn the light in that particular photo on or off. Experiment and find the best look for what you want. I played a bit to get the right balance of light and dark on the frame. Once you get things looking the way you want, its time for some quick masking in the individual layers to block out anything that you don't want in your final edit (in this case I am in the frame pretty consistently). Thankfully this is pretty quick and easy to do.
So thats it. Pretty simple really, lots of effort but the results are worth the effort. I've done this a handful of times in the past, but this was the first time I did it with a UV filter on. Trust me, do yourself a favor and take off the UV filter (unless you like to spend extra time cleaning up the image). Now that you know how to do it, let's see your shots! Drop a comment with a link to your work to check out.